Olivier Deriviere is a multi-awarded and BAFTA nominee French composer celebrated for his cutting-edge approach to music design and interactive music in the video game industry. His compositions, which merge orchestral, electronic, and game-specific elements, craft dynamic and immersive soundscapes. From the scores of A Plague Tale: Innocence and Requiem to the tracks of Streets of Rage 4, Olivier’s music has become an essential component of the gaming experience. To elevate his music to new heights, Olivier collaborates with world-class, multi awarded and Grammy winning performers. He co-founded Ameo Prod with his sister, a company dedicated to delivering turnkey, high-quality musical experiences for video games.
A core component of Olivier’s work is his ability to create interactive music systems that adapt and evolve in real-time based on player actions. This groundbreaking approach has elevated the role of music in video games, fostering more dynamic and engaging gameplay experiences. Olivier’s sophisticated music designs have not only amplified the emotional impact of these games but have also set new industry standards.
‼️Alert anoucement‼️
Resonance @APlagueTale legacy is getting a vinyl!
Very happy to team up again with @blackscreenrec
We’ve teamed up with @AmeoProd to bring @oderiviere’s soundtrack to Resonance: A Plague Tale Legacy to vinyl! 🌀
Pre-order from the BSR website to receive a limited edition 21x21cm print, signed by composer Olivier Derivière.
Pre-order now at: https://ffm.to/a-plague-tale
Here is the incredible #Amalgamation choir from Cyprus conducted by Vasiliki Anastasiou performing the recording for “The Fight Of The Braves” for Resonance @APlagueTale legacy.
Here is the one and only @GianiCaserotto playing the bouzouki for Resonance @APlagueTale
As in the previous games, there’re some moments of joy, just moments though…
I’m starting to wonder if there are some (established) movie directors that value discourse in music (not textural, sound design, ambient, low end, synth/hybrid trope orchestral).
As a composer I’d love to talk to such directors, as an audience I’d love to watch their movies.
Beyond the wonderful beauty, do you hear the call rising from the depths of the ancients?
The rats from @APlagueTale were spooky but this new “thing” in #resonance might sound even more terrifying!
(Yes, It’s a Carnyx, a very special one)